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Essays
Michaela Nolte, Berlin, Germany, 2004
Linda Weintraub, “Barbara Bachner: Person(a)-Persona(l)”, Memory into Matter, 2001

Reviews
“Like Alchemy: Bachner’s Echoes on exhibit at Kleinert”, Woodstock Times, April 22, 2004, Woodstock, NY
Lay, Franz Josef, “Mit Kinderschuhen und Krawatten”, Sudkurier, June 21, 2002, Ravensburg, Germany
McCormack, Ed, “Barbara Bachner at Gallery@49”, Gallery&Studio, April/May 2002, New York, NY
Langston, Bonnie, “Terrorist attack’s ripple effect touches artist, her work”, Daily Freeman, Dec. 4, 2001, Kingston, NY
McCormack, Ed, “Exploring Barbara Bachner’s Eventful Dream Life”, Gallery and Studio, Sep-Oct, 1999, New York, NY
D’Arcy, Joan, “Art Beat”, Daily Freeman, Dec. 12, 1997, Kingston, NY
Lane, Dakota, “Tactile Allusions, Arcane Texts”, Woodstock Times, Nov. 13, 1997
McCormack, Ed, “Barbara L. Bachner, an Abstract Painter for the Postmodern Age”, ARTSPEAK, Sept. 1994, New York, NY
O’Corozine, Richard, ”Colossi of Color”, Woodstock Times, Sept. 24, 1992, Woodstock, NY


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Scientists are discovering that the subconscious has its own system of organization in operation, parallel to that of the conscious mind. Important aspects of our lives are unavailable to us, buried as they are in our selves. We are in a sense on a voyage where the map is hidden.

I have kept a record of dreams since 1977. Stream of consciousness excerpts from this record entered my work in 1995. Since then, I have made a group of conceptually connected works: mixed-media paintings, sculptures, and videos based upon memory as it emerges from and is transformed by dreams. These works are not surrealistic renderings of dream imagery, but meditations on its significance. They include marks and writing that act as signifiers of remembrance.

My process is to excerpt random segments from my dream journals, many of which have a gender based context, and integrate them into two- and three-dimensional objects. The fragments of language become forms in the works; the works are the visual embodiment of the text. I work with color, shape, found objects and the human figure. In producing the work, I rely on accumulation, alteration, change and the ability to welcome elements of chance, as well as the on the process of layering, revealing and obscuring. The texture in the work becomes a metaphor for the layered complexity of the mind.

Barbara Bachner – December 2002